The videos combine rural scenes from Uruguay with subtitled dialogues; both of the artist (who discuss what they see during the shooting) and of those who happen to be near the camera, whose voices get unintentionally recorded. The pieces become thus audiovisual studies that reflect reality as a raw material. The images are not manipulated, but capture what happens in the "here and now": background dialogues that become protagonists, sounds of animals and nature, comments that disclose the intention of the artists at the moment of the shooting.